It didn’t work amazingly, there was a lot that got derailed, but I enjoyed her.Īotearoa is a happy story of missed chances. Her personality wasn’t quite so complex, but I thought enough of her, I converted her into a different format and wrote a CYOA novella, rewriting an RP arc that didn’t go the way I wanted it. I did a lot of faffing about with Strike Witches. Adeline Kain, Rebecca Moore, Tui Gray, and Helen Clapham. Strike Witches being Strike Witches, there was no active RPC for the setting, and I don’t blame anyone for that. I convinced three others to write it, among them Kako, and we did a brief thing together. I stuck with it longer than the rest I still had my SW characters kicking about by the time I shut down the old blog, and elected not to bring them to this one. Rebecca Moore was a favourite of mine in that time. It helped, however, that I wrote her with Kako. She had a more sophisticated story than the rest, and on top of that, she had a storyline. She showed up before, she helped Kako’s character, she helped another person’s character who affected Kako’s character - and though her story ended before I really wanted it to, in a way she also got a happy ending. Still fighting the war, even after she was ordered to go home, helped by Keiko. They had some fun times, but not enough to really bring up.
My attempt at Girls Frontline was stillborn. Strike Witches is where Helen Clapham got her start (originally with UMP40 as her FC). The Agency version of her started off as an AU, of Helen Clapham, the ex-witch bomber pilot. An AU where she never became a bomber pilot, and fell into another world. Three years later, Helen Clapham the bomber pilot no longer exists.Īgent Helen does, and she’s been a bundle of happy memories. I’m genuinely proud of how she’s developed over time. She’s the muse I’ve stuck with the most, the one who’s seen the most, who’s had the longest storyline. Through thick and thin, she’s brought me to tears, she’s brought me to hugging my pillow and giggling to myself. Always with the satisfaction and cheer of writing a character I really, really enjoy. Those tears were not of frustration, and though they were shed in reaction to parts of her storyline that sadden me, they aren’t tears shed because I don’t like it. Victoria Collet deserves a spot here, but she should really be above with KanColle. She is the only character from the KanColle blog, who survived the transition to other areas of writing. I think she was one of the characters I absolutely loved writing, even back then. Wells’ War of the Worlds, which is a semi-annual obsession of mine. Though that origin no longer exists, her current form is quite lovely.
I always have a goofy smile on my face when I think of her, and her travels with Maria and Kazuko.
She’s just a good bisexual girl who’s massively confused by her friends, a lesbian who commonly crossdresses as a man, and a boy who lives as a girl.įubuki has been a story of indulging myself in a guilty pleasure, and genuinely enjoying writing her own stories. A kitsune, a samurai kitsune, an Oda samurai kitsune, a shrine maiden samurai kitsune, it’s indulging in a lot of stuff I like but hadn’t wanted to write before her, due to some embarrassment over the subjects. But encouragement from friends, particularly Kako, saw Fubuki come to be - and I’ve enjoyed much of her. I originally conceived of her as a way to keep writing Cafe, during a moment of weakness where I was lamenting how some things had gone.
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